Category Synthesizer Keyboards

In category Synthesizer Keyboards on  January 8, 2010  One comment

This synth was used on the song I Am Energy (bass and bouncy synth sounds)

I bought my Roland D-50 new in 1987. I was the first out of that music store with one. I may have also been first in town to get one because none of the other music stores had them in yet.

This has been my all time favourite synth to date. Once you get your brain wrapped around programming “Linear Arithmetic” Synthesis, the sky is the limit. This is also the main keyboard I use for synth sound MIDI programming. The action is really smooth, the bender and modulation has nice control and the aftertouch is very expressive.

Over the years this machine has held up really well. It’s been hammered on in the studio, been on many stages at a number of shows, packed around in the back of cars...

In category Synthesizer Keyboards on  January 8, 2010  No comments

I bought this via the Interwebs from a rocker dude who thought it was called a symp. For being such a small keyboard it really makes some cool sounds.

Reset to factory defaults: Global mode page 05A.

The special “Communication Terminal” on the back of the X5D and connecting cable is really an 8-pin MiniDIN to serial. If for some reason you want to build one of these cables, download and install the special software from Korg, and connect your X5D to your computer via serial connector (why?) here is how.

The pin outs (from the outside) are as follows.
D-SUB 9-pin
5 – 4 – 3 – 2 – 1
9 – 8 – 7 – 6

Mini DIN 8-pin
6 – 7 – 8
3 – 4 – 5
1 – 2

Connect
DIN 3 to Dsub 2
DIN 4 to Dsub 5
DIN 5 to Dsub 3
Jump pins 7 and 8 on Dsub

In category Synthesizer Keyboards on  January 8, 2010  One comment

A Korg classic. Along the same lines as a Roland D-50. It can be cheezy or you can program your own sounds and it can become quite expressive. I’m a big fan of this synth outside of the crappy little display.

• Sound sources: Advanced Vector Synthesis
• Voices: 32 Voices, 32 Oscillators
• Keyboard: 61 Keys, halfweighted with aftertouch and velocity
• Effects: 2 Mastereffects, 47 Programs available
• Presets: 150 Performances internal + 50 on card, 105 patches + 35 on card
• Controllers: Joystick, pitch wheel, modulation wheel, 2 programmable foot pedals/triggers
• Outputs: 1/L/MONO, 2/R, 3, 4, phones
• MIDI: IN, OUT, THRU
• Display: 64 x 240 pixels
• Weight: 12,5 KG
• Measurements: 1000 mm (W) x 350 mm (D) x 110 mm (H)

Acquired: 1987

In category Synthesizer Keyboards on  January 8, 2010  No comments

The Korg Poly-61 was released in 1982 as the successor to the Polysix. It’s the first synth that adopted what KORG calls “Digital Access Control” user interface that is also used in POLY-800. I answered an advert which was offering two of these (one working, one not). The working one works well except for the dead backup battery. (A little tech note: This uses a 3.6 battery. A standard 3v 2032 won’t work. I tried it hoping it was just enough juice.)

The non-working Poly-61 was a victim of backup battery leak. It’s kind of a mess inside.

• Polyphony – 6 Voices
• Oscillators – DCO1:sawtooth, pulse, and square; DCO-2: sawtooth, square
• LFO – 1 LFO can modulate the DCOs or the Filter
• Filter – 1 lowpass filter w/ ADSR
• Memory – 64 patches
• VCA – ADSR
• Keyboard – 61 keys

In category Synthesizer Keyboards on  January 8, 2010  2 comments

This synth was used on the song What’s That You Said? (Bass sound)

A big, heavy beast. Solid and well build. The Kurzweil piano sounds and the action of a real piano sold me on this unit. Little did I know I’d use some of the other sounds as well. The jazz bass sounds are quite nice.

Controllers:
• Pitch wheel,
• modulation wheel,
• 4 front panel sliders,
• 3 front panel switches (momentary or toggle, software selectable),
• 4 continuous control pedal inputs,
• 2 footswitch inputs,
• mono pressure.

MIDI: Transmits on 4 channels, Receives on 16 channels. In, Out, Thru (hardware switchable to copy of MIDI Out).
Max Polyphony: 64, dynamically allocated.

Acquired: 1998

In category Synthesizer Keyboards on  January 8, 2010  No comments

This synth was used on the song Decomputerization (The main synth groove sound)

This is a fun machine to noodle around on. It’s a bit digital-thin on most the sounds it makes, but it can make an interesting array of sounds. I’m very careful with this synth as it feels cheaply made. The buttons are a bit clunky and the readout seems like it will stop any day now. In fact, the little LCD readout pretty much sucks. Outside of that, I love this machine.

• Polyphony – 48 voices
• Oscillators – 4 MB of 16-bit internal wave ROM, featuring Transwaves 58 waveforms
• LFO Time – 8 LFO’s (7 waveform choices, can sync to Arpeggiator or external MIDI clock)
• Filter – Resonant LP & BP 4 pole filters.
• Effects – 41 digital VLSI 24-bit effects
  • 8 Global Reverbs,
  • Chorus,

In category Synthesizer Keyboards on  January 7, 2010  2 comments

This lovely device has been well cared for over the years. Not quite like my DX7, but a close second. There is nothing like acquiring a 20+ year old machine that looks factory fresh.

This synth is a joy to program. The readout matched with the control knob is as easy to dial in a sound as an array of sliders.